For a recent Curriculum Vitae see here
Recently described as “the New England master of the short piece” in a recording review, John McDonald is a composer who tries to play the piano and a pianist who tries to compose. He is Professor of Music at Tufts University, where he has served both as Music Department Chair and Director of Graduate Music Studies. He teaches composition, theory, and performance. His output concentrates on vocal, chamber, and solo instrumental works, and includes interdisciplinary experiments.
On sabbatical from Tufts in 2015-2016, he is currently completing a biography project on composer T(homas) J(efferson) Anderson. McDonald will serve as the Joseph E. and Grace W. Valentine Visiting Professor of Music at Amherst College in 2016-2017.
He is the pianist of The Mockingbird Trio (with Elizabeth Anker, contralto and Scott Woolweaver, viola) and The Turina Trio (with Marco Granados, flute and Ken Radnofsky, saxophone), and has collaborated throughout his composing and performing life with singers and instrumentalists, most notably soprano Karol Bennett.
John has recorded widely (on the Albany, BMOP Sound, Bridge, Hungarton, and New World labels, to name a few) as both composer and pianist, and has recently completed a number of commissions, including a suite for A Far Cry, Boston’s conductorless string orchestra. His most recent recording is Cadenza!, an album of clarinet or basset horn music with piano; Ray Jackendoff is the soloist, featuring music by Berger, Carter, Copland, McDonald, and Yehudi Wyner (Albany Records; Troy 1598). Upcoming projects include albums of shakuhachi music for Centaur with Elizabeth Reian Bennett, and solo piano music for Bridge with David Holzman.
He received the 2009 Lillian and Joseph Leibner Award for Distinguished Teaching and Advising from Tufts University, and was named the 2007 MTNA-Shepherd Distinguished Composer of the Year by the Music Teachers National Association.